| Education | |
| 2007-present | PhD in Visual Culture New York University, NY, USA |
| 2006 | MFA and Advanced Certificate in Cultural Studies State University of New York at Stony Brook (SUNY Stony Brook), NY, USA |
| 2002 | BFA with Distinction, minor in biology Mount Allison University, NB, Canada |
Professional Experience |
|
2007- 2008 |
Teaching Assistant, New York University, New York, NY |
2006-07 |
Adjunct Instructor, Suffolk Community College, Ammerman Campus, Selden, NY |
2005-06 |
Teaching Assistant (instructor of record), SUNY Stony Brook, NY |
| 2003-06 | Contributing Editor, Arts and Literature Section, The Dominion Paper, Halifax, NS, Canada |
| 2003-06 | Teaching Assistant (instructor of record), SUNY Stony Brook, NY Introductory Printmaking and Drawing |
| 2002 | Printmaking Assistant, Dan Steeves, Sackville, NB, Canada |
| 1999-02 | Co-Founder and Board of Directors, START Gallery, Sackville, NB, Canada |
Solo Exhibitions |
|
2008 |
The Natural and The Manufactured, ODD Gallery, Dawson City, YK, Canada |
| 2005 | Abundance, Ridotto, Huntington, NY Abundance, Melville Gallery, Stony Brook, NY Art on the Barge, Nature on the Banks, sponsored by the Barbara Ann Levy Gallery, Cherry Grove, Fire Island, NY The New Natural |
| 2001 | Significant Weight, Significant Tension, Gardiner Building, Sackville, NB, Canada |
| 2000 | Crake Fellowship Work, STRUTS Gallery, Sackville, NB, Canada |
Selected Group Exhibitions |
|
2008 |
Pacific Festival of the Book International Exhibition,Victoria Arts Connection Gallery, Victoria, BC, Cananda |
2007 |
Small Miracles, Atlatnic Gallery, New York, NY |
| 2006 | Visualizing Trans, The Kumpfer Center, University of Wisconsin, Madison,WI ReFresh Print Biennial II: 2006-2008, University of Wisconsin-Green Bay, Green Bay, WI Dioramaorama, Live with Animals, Brooklyn, NY Space of Transmission, ConTemp Museum 299, Brooklyn, NY UnBound, Ashley Schiff Nature Preserve, Stony Brook University, Stony Brook, NY Earth Stock, Wang Center, Stony Brook, NY MFA Thesis: Dioramas and Hybridity Exhibition, Staller Center for the Arts, Stony Brook, NY Tiny is Good, Art at Large, New York City, NY New Prints: Winter 2006, International Print Center New York, Chelsea, New York City, NY |
| 2005 | Night of 1,000 Drawings, Artist’s Space, New York City, NY International Winter Salon Invitational, StoneMetal Press, San Antonio, TX Winter Invitational, Art at Large, Inc., New York City, NY Over the Top, Under the Rug, The Shore Institute of Contemporary Arts, Long Branch, NJ The Sun Never Sets: Post Colonialism, SAC Gallery, SUNY Stony Brook, NY Krappy Kamera, SoHo Photo, New York, NY EScreens, public screening, Tabler Gallery, Stony Brook, NY Ink and Clay 31, W. Keith and Janet Kellogg Gallery, California State Polytechnic University, Pomona, CA |
| 2004 | Open Spaces, Kaslow Art Gallery, Kaslow, BC Four Cast, Melville Gallery, Stony Brook, NY Transitional Spaces, SAC Gallery, Stony Brook, NY This is For Real: War and the Contemporary Audience, SAC Gallery, Stony Brook, NY |
| 2002 | BFA Graduation Show, Owens Art Gallery, Sackville, NB Young Sculptors, Moncton City Library, Moncton, NB |
| 2001 | Looks Like Asphalt, Tastes Like Chocolate, START Gallery, Sackville, NB STRUTS Mail Art Exhibition, STRUTS Gallery, Sackville, NB Books and Invertebrates, START Gallery, Sackville, NB |
Curitorial Projects |
|
| 2005 | The Diagram and Scribble Archive, SAC Gallery, SUNY Stony Brook, NY Exchange: Artists Trading Card Event, international exchange exhibited online |
| 2003 | Unfolding Imagination: Dominica Photography Project, Galway Arts Center, Galway, Ireland |
| 2001 | Looks Like Asphalt, Tastes Like Chocolate, STRUTS and START, Sackville, NB |
Grants/ Awards |
|
| 2008 | Travel Grant to Professionals in the Visual Arts, Canada Council for the Arts, Cananda |
2007 | The Natural & The Manufactured Artist Residency, ODD Gallery, Dawson City, YK, Canada
KeyHolder Residency, Lower East Side Print Shop, New York Founding Fellowship, NYU, New York |
| 2006 | Energy Gallery Featured Artist Award, Energy Gallery |
| 2005 | Nominee for Dedalus Foundation Award, Robert Motherwell Foundation Nominee for New York State Thayer Fellowship, New York Foundation of the Arts Culture and Social Series Grant, Graduate Student Organization, SUNY Stony Brook Goldberger Fine Arts Award, SUNY Stony Brook |
| 2003-06 | Full Tuition Scholarship, SUNY Stony Brook |
| 2002 | Finalist for Rhodes Scholarship, Rhodes Foundation Scholarship, Oxford University Leadership Mount Allison Grant, Mount Allison University Crake Performance in the Fine Arts Award, Crake Foundation for the Humanities Fine Arts Departmental Award for a Graduating Student, Mount Allison University |
| 2001 | Crake Foundation Scholarship in the Humanities, Mount Allison University Leadership Mount Allison Grant, Mount Allison University |
| 2000 | Crake Research Fellowship, Mount Allison University |
Presentations/ Panels |
|
| 2008 |
Re-directing Arrows: The Visual Culture of Recycling Campaigns and Conservative Conservationist Narratives, Visual Culture Panel, CAA Conference, Dallas, TX
Anthropological Aesthetics: Environmental Protection and Indigenous Land Claims in National Parks, Sixth Annual Meeting of the Cultural Studies Association, New York, NY |
| 2007 | Max Liboiron’s Art and Environmental Narrative, In Focus radio interview, WUSB 90.1 FM, Radio Free Long Island, NY |
| 2006 | Nature On the Other Side of the Glass: Hybridity in Dioramas, Art, and Life, TransVisual Culture Conference, University of Wisconsin, Madison,WI Artists Talk: Eco-System Interaction, TransVisual Culture Conference, University of Wisconsin, Madison,WI Artist’s Talk: MFA Thesis: Dioramas and Hybridity Exhibition, Staller Center for the Arts, SUNY Stony Brook, NY |
| 2004 | This is For Real: War and the Contemporary Audience, Panelist, SAC Gallery, SUNY Stony Brook, NY |
Reviews/Publication of Images |
|
| 2007 | “New Prints 2007 at IPCNY,” Paul Laster, IPCNY exhibition essay, Feb 2007 |
| 2006 | “Focus on Women, Focus on Diversity,” (cover image) Focus Magazine, Vol 8, No 1, Spring 2006 “Max Liboiron’s Transformations,” Susan Valyi, ATC Quarterly, Issue 3, Summer 2006 “MFA Thesis: Dioramas and Hybridity Exhibition 2006,” forward by Mel Perkarsky |
| 2005 | “Fire Island Arts Festival,” Richard LaFrance, As the Grove Turns, August 10, 2005 “Reminiscent of Greenwich Village,” Barbara Ann Levy, Fire Island News, August 15, 2005 “Max Liboiron: Utopia Diorama 1F,” Webesteem Magazine, Exposition 76; edited by Adam Szrotek. Presentation date: July 18, 2005 “Max Liboiron: Pinhole Photography,” Pinhole Journal, Vol.21 #2, edited by Nancy Spencer and Eric Renner. Summer 2005 |
| 2000 | “Reflecting Sackville ” Amanda Dawn Christie, ARTSatlantic 65, Winter 2000 |
Publications of Writing |
|
| 2007 | "The Feminist Porn Awards," The Dominion, September 29 |
| 2006 | “The Life of a Clear Cut,” The Dominion, April 14 |
| 2005 | “Card Carriers: Artists Trading Cards,” The Dominion, November 14 “Artists Revaluing Copyright” The Dominion, March 24 |
| 2004 | “Yes Means No: The Yes Men and Tactical Media.” The Dominion, November 6, 2004; Portland Independent Media Center Online, Nov 2004 “Drawing a Response” The Dominion, August 24 “Zen and the Art of Gender Maintenance,” The Dominion, June 24 “Cropping,” Halifax International Symposium on Independent Media and Journalism, June 30-July 4. “Satire Under Attack,” co written with Jane Henderson, The Dominion, January 13 |
| 2003 | “A Serious Lack” The Dominion, November 10; Sydney Independent Media Center Newswire online, November “Janet Cardiff and Georges Bures Miller: Recent Works ”The Dominion, August 8 “Photons and Formaldehyde: The New Art Viewing ”The Dominion, August 27 |
| 2002 | “The Emerging Artist’s Handbook,” Hard copy and web published by Mount Allison University, and Electronically published by Alberta College of Art and Design |
